Aural Presence: Listening to Life Unfolding
Keynote speaker.
Digital and Technological Performativities, International Colloquium.
University of Aveiro, Department of Communication and Art. November 5th and 6th, 2025
Keynote speaker.
Digital and Technological Performativities, International Colloquium.
University of Aveiro, Department of Communication and Art. November 5th and 6th, 2025
2022-24AUDIRE | Audio Repository: saving sonic-based memories [Audio Repositório: guardar memórias sonoras]Contracted researcheraudire.pt Combining fundamental research with applied research…
International Conference on the Archaeology of Sound. Paper: Aural Architecture: Experience, Resonance and Attunement
2024 – apresentação da publicação
Raquel S., Amarante Abramovici, Mariana Caló, Francisco Queimadela, Cláudia Martinho e Daniel Moreira e Rita Castro Neves
While all life is interconnected and interdependent, we are the only species that has become separated from itself, from other species and from the web of life that sustains us. The extractive and colonising system that controls and depletes the non-renewable resources on which we depend has separated us from the cycles of regenerative life and the Earth’s abundance, with devastating effects on entire ecosystems. Given the ecological challenges we face, in my practice I’ve been questioning how we, as creative beings, can regenerate our interconnection with the web of life on our planet.
In this interview — which was recorded in January 2021 as part of the project “AUDIRE. Audio Repository: saving sonic-based memories” — Hildegard Westerkamp explains how original and unique a soundwalk can be and how inspiring or disturbing the urban acoustic experience can be today. The concept of soundscape and the notion of conscious listening are here considered fundamental to understand our relationship with the environment.
2011 – Edited by Brandon LaBelle & Cláudia Martinho. 304 pages with Compact Disc.
ISBN: 978-0-9827439-0-4.
Published by Errant Bodies Press, Berlin.
Article on the proceedings of Invisible Places Symposium, Sound Urbanism and Sense of Place, Sao Miguel, Azores.
The aural experience Shores seeks to value artisanal fishing as an important part of the cultural heritage of São Miguel and the Azores, which has been drastically declining. A boat was converted into an acoustic shell to transmit a sonic memory of the fishing community, on a soundscape travel through places and ecosystems of São Miguel’ shores.
Practice-based research towards a Ph.D. in Music – Sonic Arts. Unit for Sound Practice Research, Department of Music, Goldsmiths, University of London, United Kingdom. Supervision by Professor John Levack Drever and Dr. Iris Garrelfs. Fellowship by the Foundation for Science and Technology, Portugal (2011-2014).