2024 – corpo, voz, paisagem, ressonância
Experimentação de relações vivas entre as paisagens sonoras e as polifonias vocais.
Trabalho de campo, gravação e performance na Serra do Soajo, Portugal.
Estágio de voz com Véronique Thomas, professora Roy Hart, Les Voix du Vivant, França.
2024- performance com o coro do amanhecer.
Em colaboração com Lea Tarragona, Jean Brice Godet, Frantz Loriot, Ben Gernstein, Gustavo Costa, Henrique Fernandes.
Sonoscopia, Porto, Portugal.
Reveil · Dawn Chorus Day Read Post »
2023 – difusão sonora imersiva.
Criação em residência artística, Bairro da Bouça, Porto.
Cultura em Expansão, C.M. Porto. Produção Sonoscopia.
While all life is interconnected and interdependent, we are the only species that has become separated from itself, from other species and from the web of life that sustains us. The extractive and colonising system that controls and depletes the non-renewable resources on which we depend has separated us from the cycles of regenerative life and the Earth’s abundance, with devastating effects on entire ecosystems. Given the ecological challenges we face, in my practice I’ve been questioning how we, as creative beings, can regenerate our interconnection with the web of life on our planet.
Towards a creative regeneration Read Post »
2023 – field recordings, performance, circle
Artistic residency, Mata da Albergaria, Campo do Gerês, Portugal.
Presentation at Encontro de Artes, Ecologia e Ruralidades, Rural Vivo!, Campo do Gerês.
2023 – passeio imersivo performativo
Em colaboração com Maria João Ferreira.
Co-criação em residência artística, Terra na Orelha do Mar, The Beekeepers, Castro Marim.
2022 – multichannel audio installation
An immersive listening experience of the Tagus’ wetland ecosystem.
Commissioned by Sónar+D Lisboa, curated by Antònia Folguera
Hub Criativo do Beato, Lisboa.
2021 – durational composition and spatial sound installation
Sounds Now – Sound Art in Public Spaces, curated by Raquel Castro.
November Music Festival, Serre of Verkadefabriek, Den Bosch, The Netherlands.
2021 – location recordings following a circular path, from the city of Beja to Guadiana river and back
One week artistic residency in the context of Futurama – Baixo Alentejo’s Cultural and Artistic Ecosystem.
De Beja ao Guadiana Read Post »
2020 – location recordings and electroacoustic performance.
In collaboration with Luís Bittencourt.
Gerês/Xures UNESCO Biosphere Reserve, Portugal.
Simbioses e Geometrias Read Post »
2021 – performative recording, 4 channels
Water sources.
Gerês/Xurez Biosphere Reserve.
Agua Espectral – audio Read Post »
Instalação sonora imersiva com 2027 plantas.
Encomenda para o lançamento oficial da candidatura de Braga a Capital Europeia da Cultura 2027.
Theatro Circo – Braga’27, Altice Arena, Braga.
2020. Spatial sound installation.
Commissioned by Dar a Ouvir.
Convento de São Francisco, Coimbra, Portugal.
2020 – spatial sound installation
Commissioned by Pedro Gomes and Beatrice Leanza.
maat – Museum of Art, Architecture and Technology, Lisbon, Portugal.
2019 – immersive installation and workshops
Lisboa Soa, curated by Raquel Castro.
Estufa Fria Greehouse, Portugal.
2019 – site-responsive resonant soundscape, immersive instalaltion
Award Laboratorios de Verão, gnration, Braga.
Presented at Noite Branca, Braga.
CRESSON Masterclasses and Practical Field Works, Grenoble, France.
Multi-temporal soundwalk Read Post »
2019 – site-responsive resonant soundscape
Archeological site of Fraga da Calcedónia.
Covide, Gerês Biosphere Reserve of Gerês, Portugal.
Article on the proceedings of Invisible Places Symposium, Sound Urbanism and Sense of Place, Sao Miguel, Azores.
The aural experience Shores seeks to value artisanal fishing as an important part of the cultural heritage of São Miguel and the Azores, which has been drastically declining. A boat was converted into an acoustic shell to transmit a sonic memory of the fishing community, on a soundscape travel through places and ecosystems of São Miguel’ shores.
Shores – Invisible Places Read Post »
International Conference on the Archaeology of Sound. Paper: Aural Architecture: Experience, Resonance and Attunement
Aural Architecture: Experience, Resonance and Attunement Read Post »
2017 – resonant soundscape and temporary autonomous zome
Lisboa Soa, curated by Raquel Castro.
Estufa Fria, Lisbon, Portugal.
2017 – soundscape installation on a boat converted into an acoustic shell
Award, Invisible Places Symposium.
Ponta Delgada harbour, São Miguel, Azores, Portugal.
Practice-based research towards a Ph.D. in Music – Sonic Arts. Unit for Sound Practice Research, Department of Music, Goldsmiths, University of London, United Kingdom. Supervision by Professor John Levack Drever and Dr. Iris Garrelfs. Fellowship by the Foundation for Science and Technology, Portugal (2011-2014).
Aural Architecture Practice: Creative Approaches Towards an Ecology of Affect Read Post »
2012 – experimental performance project
DIY instruments, improvisation music.
Sessions at Room 307, CCStop, Porto.
2012 – Performative oceans of drones
Analogue synthetizers.
Studio sessions in Porto.
Stillness in Turmoil Read Post »
2012 – autonomous and mobile acoustic unit for broadcasting.
In collaboration with Mathieu Herbelin.
Commissioned by Soopa, for Guimarães European Capital of Culture 2012, Portugal.
2011 – immersive drone performance
In collaboration with Jonathan Saldanha and Filipe Silva.
At Matéria Prima, Porto.
2011 – Edited by Brandon LaBelle & Cláudia Martinho. 304 pages with Compact Disc.
ISBN: 978-0-9827439-0-4.
Published by Errant Bodies Press, Berlin.
Site of Sound: of Architecture and the Ear, Vol. 2 Read Post »