2024 – corpo, voz, paisagem, ressonância
Experimentação de relações vivas entre as paisagens sonoras e as polifonias vocais.
Trabalho de campo, gravação e performance na Serra do Soajo, Portugal.
Estágio de voz com Véronique Thomas, professora Roy Hart, Les Voix du Vivant, França.
PERFORMANCE WITH DAWN CHORUS, RESIDENCY
In collaboration with Lea Tarragona, Jean Brice Godet, Frantz Loriot, Ben Gernstein, Gustavo Costa, Henrique Fernandes.
2024, Sonoscopia, Porto, Portugal.
SOUND COMPOSITION, PHOTOGRAPHY, WRITING, INSTALLATION
Field research on urban transformation, belonging and becoming
2023, artistic residency at Bairro da Bouça, Porto.
Presentation at Associação dos Moradores da Bouça
Commision by Cultura em Expansão, C.M. Porto, production by Sonoscopia
While all life is interconnected and interdependent, we are the only species that has become separated from itself, from other species and from the web of life that sustains us. The extractive and colonising system that controls and depletes the non-renewable resources on which we depend has separated us from the cycles of regenerative life and the Earth’s abundance, with devastating effects on entire ecosystems. Given the ecological challenges we face, in my practice I’ve been questioning how we, as creative beings, can regenerate our interconnection with the web of life on our planet.
SOUND COMPOSITION, PHOTOGRAPHY, PERFORMANCE
An approach to ancestral human relations with trees’ essences and its ecosystems
2023, artistic residency at Mata da Albergaria and Campo do Gerês, Portugal.
Presentation at Encontro de Artes, Ecologia e Ruralidades, Rural Vivo!, Campo do Gerês.
PERFORMANCE, SOUND COMPOSITION, PHOTOGRAPHY, DRAWING
A participatory walk and a creative circle for an immersive experience of the river borderline
In collaboration with Maria João Ferreira
2023, artistic residency, Terra na Orelha do Mar, The Beekeepers, Castro Marim
INSTALLATION, MULTICHANNEL AUDIO 7.1
An immersive listening experience of the Tagus’ wetland ecosystem
2022, commissioned by Sónar+D Lisboa, curated by Antònia Folguera
Presented at Hub Criativo do Beato, Lisboa
DURATIONAL COMPOSITION, SPATIAL SOUND INSTALLATION, RESIDENCY
Sounds Now – Sound Art in Public Spaces, curated by Raquel Castro.
2021, November Music Festival, Serre of Verkadefabriek, Den Bosch, The Netherlands.
2021 – location recordings following a circular path, from the city of Beja to Guadiana river and back
One week artistic residency in the context of Futurama – Baixo Alentejo’s Cultural and Artistic Ecosystem.
ELECTROACOUSTIC COMPOSITION, PERFORMANCE, RESIDENCY, LOCATION RECORDINGS
In collaboration with Luís Bittencourt.
2020, Gerês/Xures UNESCO Biosphere Reserve, Portugal.
2021 – performative recording, 4 channels
Water sources.
Gerês/Xurez Biosphere Reserve.
IMMERSIVE SOUND INSTALLATION WITH 2027 PLANTS
Commission for the official launch of the application of Braga as European Capital of Culture 2027.
2020, Theatro Circo – Braga’27, Altice Arena, Braga.
SPATIAL SOUND INSTALLATION, RESIDENCY
Commissioned by Dar a Ouvir.
2020, Convento de São Francisco, Coimbra, Portugal.
SPATIAL SOUND INSTALLATION
Commissioned by Pedro Gomes and Beatrice Leanza.
2020, maat – Museum of Art, Architecture and Technology, Lisbon, Portugal.
IMMERSIVE INSTALLATION, WORKSHOPS
Lisboa Soa, curated by Raquel Castro.
2019, Estufa Fria Greehouse, Portugal.
SITE-RESPONSIVE RESONANT SOUNDSCAPE, IMMERSIVE INSTALLATION
Award Laboratorios de Verão, Residency, gnration, Braga.
2019, presented at Noite Branca, Braga.
2019 – site-responsive resonant soundscape
Archeological site of Fraga da Calcedónia.
Covide, Gerês Biosphere Reserve of Gerês, Portugal.
Article on the proceedings of Invisible Places Symposium, Sound Urbanism and Sense of Place, Sao Miguel, Azores.
The aural experience Shores seeks to value artisanal fishing as an important part of the cultural heritage of São Miguel and the Azores, which has been drastically declining. A boat was converted into an acoustic shell to transmit a sonic memory of the fishing community, on a soundscape travel through places and ecosystems of São Miguel’ shores.
International Conference on the Archaeology of Sound. Paper: Aural Architecture: Experience, Resonance and Attunement
RESONANT SOUNDSCAPE, TEMPORARY AUTONOMOUS ZOME
Lisboa Soa, curated by Raquel Castro.
2017, Estufa Fria, Lisbon, Portugal.
SOUNDSCAPE INSTALLATION, FIELD RECORDING, WORKSHOP
Collaboration with fishermen from Rabo de Peixe, a boat converted into an acoustic shell
Award, Residency, Invisible Places Symposium.
2017, Ponta Delgada harbour, São Miguel, Azores, Portugal.
Practice-based research towards a Ph.D. in Music – Sonic Arts. Unit for Sound Practice Research, Department of Music, Goldsmiths, University of London, United Kingdom. Supervision by Professor John Levack Drever and Dr. Iris Garrelfs. Fellowship by the Foundation for Science and Technology, Portugal (2011-2014).
EXPERIMENTAL MUSIC, PERFORMANCE
Part of the group, building DIY instruments, improvisation music.
2012, sessions at Room 307, CCStop, Porto.
DURATIONAL COMPOSITION, OCEANS OF DRONES
Analogue synthetizers.
2012, studio sessions in Porto.
ARCHITECTURE, INSTALLATION
Autonomous and mobile acoustic unit for broadcasting.
In collaboration with Mathieu Herbelin.
2012, Guimarães, Portugal
Commissioned by Soopa, for Guimarães European Capital of Culture 2012
IMMERSIVE DRONE PERFORMANCE
In collaboration with Jonathan Saldanha and Filipe Silva.
2011, Matéria Prima, Porto.
2011 – Edited by Brandon LaBelle & Cláudia Martinho. 304 pages with Compact Disc.
ISBN: 978-0-9827439-0-4.
Published by Errant Bodies Press, Berlin.